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Holding: Sites and Traces of Encounter
Manipulated fabric 400cm (w) x 220cm (h) Photo credit - Hatched: National Graduate Show 2022, Perth Institute of Contemporary Arts. Photograph: Miles Noel Photography.
Manipulated fabric. Graduate Show Plimsoll Gallery, Hunter Street, Hobart. photo credit Cassie Sullivan
Manipulated fabric worked directly onto gallery wall, paper sculpture. Photo credit - Hatched: National Graduate Show 2022, Perth Institute of Contemporary Arts. Photograph: Miles Noel Photography.
Manipulated fabric 400cm (w) x 220cm (h) Photo credit - Hatched: National Graduate Show 2022, Perth Institute of Contemporary Arts. Photograph: Miles Noel Photography.
Made of paper, tarletan, pigment and wax, these objects have been formed with and within my hands. The gestures and residues of my touch are held in their sculptural forms. Photo credit: Cassie Sullivan.
Photo credit Cassie Sullivan.
Installation view, opening night. Photo credit - Hatched: National Graduate Show 2022, Perth Institute of Contemporary Arts. Photograph: Miles Noel Photography.
Made of paper, tarletan, pigment and wax, these objects have been formed with and within my hands. The gestures and residues of my touch are held in their sculptural forms. Photo credit: Cassie Sullivan.
Photo credit: Cassie Sullivan.
Photo credit: Cassie Sullivan.
Watercolour on paper. Installation view. Photo credit - Hatched: National Graduate Show 2022, Perth Institute of Contemporary Arts.
Watercolour on paper. Photo credit Cassie Sullivan.
Watercolour on paper. Photo credit Cassie Sullivan.
Watercolour on paper. Installation view. Photo credit - Hatched: National Graduate Show 2022, Perth Institute of Contemporary Arts.